Click Link to Listen to or Download the Podcast. The London Bookseller Conspiracy: Welcome to Part II of my trilogy in introducing regulatory copyright. Last time we learned of a monopolistic elite known as the London booksellers. They rose to power by being the only place in England anyone could register a creative work. When they lost that exclusive right with the 1710 Statute of Anne they attempted to change legislation in various ways in both Britain and Scotland. Each attempt was met with failure and it seemed the London booksellers were not going to get their capricious desire of literary property. Classical works that stood the test of time must be released to the public at large and the London booksellers would have to lose their free income from works they did not create or have any direct relation with the creator. Despite appealing through all channels the London booksellers were all but doomed. This, pathetically, must be noted. This is (so far) 33 solid years of litigious moaning by some elite. Nobody else had the money to heckle legislature the way the London bookseller’s did. It is clear they were still viable businesses, yet they refused to back down on the idea that they can’t own somebody else’s creation for their own personal profit at the expense of the majority of the public. The further these works slipped from the hands of the London booksellers the more desperate they became. If getting Scottish Andrew Millar to represent them (Click to continue…)








